Preserving your Artwork: How to Care for and Clean Fine Art Photography
When you acquire a Limited Edition piece from Roman Russo Studio, you are investing in more than an image—you are becoming the steward of a physical object designed to last for generations.
We utilize the highest standard of archival materials available: 100% Cotton Rag paper, pigment inks, and acid free matting. However, like any fine object, longevity depends on how it is cared for.
Environmental factors, improper cleaning, and handling can affect the life of your artwork. Here is your guide to preserving the narrative.
1. The Environment: Location Matters
The greatest threats to fine art photography are often invisible: UV light, heat, and humidity.
Avoid Direct Sunlight: Constant exposure to direct sunlight is the enemy of all pigment. We recommend hanging art on walls that receive indirect or diffused light.
The "Fireplace" Risk: We frequently see art hung above fireplaces. While aesthetically pleasing, the fluctuating heat and smoke can damage the artwork over time. If you choose this placement, ensure the chimney is well-insulate and the artwork is shielded from direct heat rising.
Humidity Control: Paper is an organic material—it "breathes." Rapid changes in humidity (such as in a bathroom with a shower) can cause the paper to expand and contract, leading to rippling. Aim for a stable environment with moderate humidity.
2. Cleaning: Know Your Glazing
At Roman Russo Studio, we use two different types of glazing depending on the size of the artwork. It is critical to know which one you have, as they require different cleaning methods.
For Large-Scale Works (Museum Acrylic)
Our large-format pieces are framed with Museum Acrylic (Plexiglass) to reduce weight and ensure safety.
The Golden Rule: NEVER use glass cleaner (like Windex) or paper towels on acrylic. Ammonia will turn the acrylic cloudy/milky over time, and paper towels will scratch the surface.
The Method: Use a dedicated acrylic cleaner (such as Brillianize) or simply a small amount of warm water with a drop of mild dish soap.
The Cloth: Always use a premium, clean microfiber cloth. Wipe gently in a circular motion.
For Small & Medium Works (Conservation Glass)
Our intimate sizes are framed with High-Quality Conservation Glass.
The Method: You may use an ammonia-free glass cleaner.
The Technique: Never spray the cleaner directly onto the glass. Gravity can pull the liquid down into the bottom of the frame, where it can wick up into the mat board and stain the artwork. Always spray the cloth first, then wipe the glass.
3. Dusting the Frame
For routine maintenance, a simple dusting is often all that is needed.
Use a soft, dry microfiber cloth or a lamb’s wool duster.
Gently dust the top of the frame where dust settles.
Be careful with wood frames; avoid harsh chemicals that could strip the finish. A slightly damp cloth is usually sufficient for the frame molding.
4. Handling and Moving
If you are moving homes or simply rotating your collection to a new room, handle with care.
Clean Hands: The oils from your skin can damage frames and glazing. We recommend wearing white cotton gloves when handling art, but freshly washed, dry hands are acceptable.
Lift, Don’t Pull: Never lift a framed artwork by the top of the frame or by the hanging wire alone. The weight can cause the joints to separate. Always lift from the sides or support it from the bottom.
The "Two-Person" Rule: For our large-scale works, never attempt to move them alone. The torque of twisting a large frame can pop the acrylic out of its channel or snap a corner joint.
Stewardship
A Roman Russo photograph captures a fleeting moment of silence in a chaotic world. By following these simple care guidelines, you ensure that this moment remains clear, vibrant, and impactful for decades to come.
Questions about your specific piece? If you are unsure about the glazing type on your artwork or need advice on lighting, our studio team is here to assist.